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Malare mounama song ragam movie#
Kamal's situation is chatoic as per the movie sequence & 2. MSV - Innoru Maha Jhambhavaan of Tamil Music - His brilliance in using all possible instrumentation to explain the chaotic situation will be explicit (1. The rhythmic beats "ThagajinaThaga Dhom, Dhom" would have been blended so well with the Drums - Remember those days "Octopads" were not available and you will really enjoy this blend immediately after the 1, 2, 3, 4. Firstly, I would want all the readers to bring the actual scene in front of them from "Simla Special".Ģ.
![malare mounama song ragam malare mounama song ragam](https://images.newindianexpress.com/uploads/user/imagelibrary/2020/9/25/w1200X800/SPB_EPS.jpg)
SPB anna would have maintained the same tempo in providing the gentle gasp again for the word "Verkindradhu" in the line "Thanneeril Nirkum podhe Verkindradhu".įinally, Janaki Amma would have shown her class in just 1 _expression - The line "Ragasiya Rathiri Puthagame" - The _expression for "Ragasiya" from Janaki Amma would be equating to ultimate "Secrecy".ġ.
![malare mounama song ragam malare mounama song ragam](https://kollywoodsubtitles.files.wordpress.com/2019/09/img_3382.jpg)
The line "Thanimayile, Verumayile, "Ethanai" naaladi Ilamayile" - The _expression from SPB Anna for "Ethanai" would be showing the long wait with a gentle gasp !!!! Finally my favorite topic of "expressions" :. Very Rare to find this in today's songs.ĥ. One more ultimate Mastero touch in this song is the "Octaves" in which SPB Anna and Janaki Amma would have sung this song - You can draw a perfect "Bell Curve". During TVG Anna's initial Aalaap - Mastero would have opted to use only Tabla, while for Aalaap's inbetween the "Dham" from Mridhangham flows effortlessly.Ĥ. This is Mastero's exclusive touch of creating uniqueness of all stalwarts.ģ. This is even more awesome as 1 person is performing the Aalaap, 1 person is singing the song, 1 person is concentrating on maintaining the "Dham" rhythm. SPB Anna and Janaki Amma would have paced their voice to suit that "Dham" and they compliment each other exclusively with the Aaalaap "Aaaaaaaaaaa". In the entire song there will be a subtle usage of the sound "Dham" from Mridhangham - respecting the value of TVG Anna (though I'm not sure of "Dham" exist in Mridhangham).Ģ.
Malare mounama song ragam professional#
If you listen carefully you can admire Mastero's awesome thinking and his professional touches in the following places:ġ. I don't have words to describe the "photographic" touches to compliment this song (or) the "poetic" touches of this song to compliment Kamal and Madhavi's performance (or) SPB Anna & Janaki Amma's "deadly voices" to compliment Mastero's Music (or) the amazing background score of "violinists" to compliment TVG Anna's one "mridhangham". One of the finest songs where you can relish the art of "Complimenting" each other: